‘I don’t understand your terms, really,’ he said, in a flat, doomed voice. ‘But it sounds a rum sort of desire.’

‘I suppose we want the same,’ said Birkin. ‘Only we want to take a quick jump downwards, in a sort of ecstasy—and he ebbs with the stream, the sewer stream.’

Meanwhile Gudrun and Ursula waited for the next opportunity to talk to Loerke. It was no use beginning when the men were there. Then they could get into no touch with the isolated little sculptor. He had to be alone with them. And he preferred Ursula to be there, as a sort of transmitter to Gudrun.

‘Do you do nothing but architectural sculpture?’ Gudrun asked him one evening.

‘Not now,’ he replied. ‘I have done all sorts—except portraits—I never did portraits. But other things—’

‘What kind of things?’ asked Gudrun.

He paused a moment, then rose, and went out of the room. He returned almost immediately with a little roll of paper, which he handed to her. She unrolled it. It was a photogravure reproduction of a statuette, signed F. Loerke.

‘That is quite an early thing—NOT mechanical,’ he said, ‘more popular.’

The statuette was of a naked girl, small, finely made, sitting on a great naked horse. The girl was young and tender, a mere mere bud. She was sitting sideways on the horse, her face in her hands, as if in shame and grief, in a little abandon. Her hair, which was short and must be flaxen, fell forward, divided, half covering her hands.

Her limbs were young and tender. Her legs, scarcely formed yet, the legs of a maiden just passing towards cruel womanhood, dangled childishly over the side of the powerful horse, pathetically, the small feet folded one over the other, as if to hide. But there was no hiding. There she was exposed naked on the naked flank of the horse.

The horse stood stock still, stretched in a kind of start. It was a massive, magnificent stallion, rigid with pent–up power. Its neck was arched and terrible, like a sickle, its flanks were pressed back, rigid with power.

Gudrun went pale, and a darkness came over her eyes, like shame, she looked up with a certain supplication, almost slave–like. He glanced at her, and jerked his head a little.

‘How big is it?’ she asked, in a toneless voice, persisting in appearing casual and unaffected.

‘How big?’ he replied, glancing again at her. ‘Without pedestal—so high—’ he measured with his hand—‘with pedestal, so—’

He looked at her steadily. There was a little brusque, turgid contempt for her in his swift gesture, and she seemed to cringe a little.

‘And what is it done in?’ she asked, throwing back her head and looking at him with affected coldness.

He still gazed at her steadily, and his dominance was not shaken.

‘Bronze—green bronze.’

‘Green bronze!’ repeated Gudrun, coldly accepting his challenge. She was thinking of the slender, immature, tender limbs of the girl, smooth and cold in green bronze.

“We must make our start at once,” said Jefferson Hope speaking in a low but resolute voice, like one who realizes the greatness of the peril, but has steeled his heart to meet it. “The front and back entrances are watched, but with caution we may get away through the side window and across the fields. Once on the road we are only two miles from the Ravine where the horses are waiting. By daybreak we should be halfway through the mountains.”

“What if we are stopped?” asked Ferrier.

Hope slapped the revolver butt which protruded from the front of his tunic. “If they are too many for us, we shall take two or three of them with us,” he said with a sinister smile.

The lights inside the house had all been extinguished, and from the darkened window Ferrier peered over the fields which had been his own, and which he was now about to abandon forever. He had long nerved himself to the sacrifice, however and the thought of the honour and happiness of his daughter outweighed any regret at his ruined fortunes. All looked so peaceful and happy, the rustling trees and the broad silent stretch of grainland, that it was difficult to realize that the spirit of murder lurked through it all. Yet the white face and set expression of the young hunter showed that in his approach to the house he had seen enough to satisfy him upon that head.

Ferrier carried the bag of gold and notes, Jefferson Hope had the scanty provisions and water, while Lucy had a small bundle containing a few of her more valued possessions. Opening the window very slowly and carefully, they waited until a dark cloud had somewhat obscured the night, and then one by one passed through into the little garden. With bated breath and crouching figures they stumbled across it, and gained the shelter of the hedge, which they skirted until they came to the gap which opened into the cornfield. They had just reached this point when the young man seized his two companions and dragged them down into the shadow, where they lay silent and trembling.

It was as well that his prairie training had given Jefferson Hope the ears of a lynx. He and his friends had hardly crouched down before the melancholy hooting of a mountain owl was heard within a few yards of them, which was immediately answered by another hoot at a small distance. At the same moment a vague, shadowy figure emerged from the gap for which they had been making, and uttered the plaintive signal cry again, on which a second man appeared out of the obscurity.

“To-morrow at midnight,” said the first, who appeared to be in authority. “When the whippoorwill calls three times.”

“It is well,” returned the other. “Shall I tell Brother Drebber?”

“Pass it on to him, and from him to the others. Nine to seven!”

“Seven to five!” repeated the other; and the two figures flitted away in different directions. Their concluding words had evidently been some form of sign and countersign. The instant that their footsteps had died away in the distance, Jefferson Hope sprang to his feet, and helping his companions through the gap, led the way across the fields at the top of his speed, supporting and half-carrying the girl when her strength appeared to fail her.